What is Wrong with The Broadway Musical Article Discussion
Before completing this assignment please read the four articles. Please use some of their points in your response.
Here is what a recent article in the Wall StreetJournall said:
“What’s Wrong With the Broadway Musical?” by The Wall Street Journal’s Terry Teachout “When I last wrote about the decline of the Broadway musical in this space nine years ago, I cited the growing dominance of the commodity musical as the No. 1 problem facing the genre. I still see these shows as roadblocks that stand in the way of fresh creative thinking. But I now regard them as a symptom, not a cause. The real problem goes deeper.
Broadway musicals were central to American pop culture well into the ’60s. Their songs were played on the radio and performed on top-rated TV variety shows, and in due course the best of these shows were turned into hit movies. “¦ Back then, everybody from Frank Sinatra to Elvis Presley to Ray Charles sang show tunes. “¦ Once our common culture started cracking up, it was inevitable that the Broadway musical would lose its creative footing. “Fiddler on the Roof,” the last indisputably great golden-age musical, opened in 1964, six months after the Beatles made their fateful appearance on “The Ed Sullivan Show.” Within a couple of years, show tunes had vanished from Top-40 stations, never to return. “¦
A half-century later, Broadway is still tryingand failingto catch up with the Beatles. “¦ In the meantime, America’s common culture has disintegrated: No particular style of music appeals strongly to more than a fraction of the public at large. As a result, there is no longer a universal language in which artistically ambitious musicals can be written “¦ That’s why producers embrace the commodity musical, with its built-in audience of fans: It’s the safest way to draw a crowd big enough to turn a profit.
I continue to believe in the creative promise of the large-scale musical. “¦ And wonderful though it has been to witness the well-deserved successes of “Hamilton” and “The Band’s Visit,” I won’t feel good about the American musical again until Broadway figures out new ways to produce really big shows that are equally appealing to a rising generation of serious-minded theatergoers.” http://bway.ly/tzfxs
You have read what critics (and I) have guessed will be the future of musical theatre. Using sound files, photo imagery, concert footage, or more”¦, describe what you think would best connect to a current audience of people between the ages 15 and 30. How can someone in the future better tell a story using music, dance, and acting? What must change? What must be enhanced or altered?
Must be MLA formatï¼Rubic is provided below.
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201905211915302_cast_albums_hit_billboard_top_20_for_the_first_time_in_50_years___playbill1 (210 kB)
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20190521191531are_we_living_in_a_new_golden_age_of_musical_theatre____playbill (2 MB)
